This series operates in the unstable territory between evidence and fabrication.

The works resemble fossils—remains that suggest origin, species, and history—yet they belong to no known taxonomy. They present themselves as discoveries, while quietly withholding verification.

I am interested in the moment when an object appears authoritative enough to be believed. When does form become proof? When does structure produce credibility?

By constructing and reconstructing these fragments, I test how easily certainty can be staged. The works do not declare themselves false; nor do they confirm themselves as real. They remain suspended—occupying the thin border where reality is inferred rather than guaranteed.

Uncertainty here is not a flaw.
It is the material.